Inktend / Ink library / Roses in the Louvre

Noodler's

Roses in the Louvre

Reds & pinks#9C103F

An American maker known for water-resistant and archival formulations, alongside a large range of standard colors.

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Specs

Color familyReds & pinks
Approx. hex#9C103F
SheenNot typically noted

Paper & pairing

Reds and pinks show the most dramatic shading of any color family: expect real variation between the edges and center of each letter. This ink will behave predictably on most fountain-pen-friendly paper. Cheap, highly absorbent paper (standard copier paper) will dull any ink's saturation and can cause feathering or bleed-through with wetter nibs.

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About Noodler's

A Massachusetts-based ink and pen maker best known for water-resistant, archival ink formulations and low-cost piston and flex pens.

United States Founded c. 2004
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Storing and using the bottle

Bottled fountain pen ink has an effectively long shelf life when kept capped and out of direct sunlight: most inks remain usable for years. The main risk isn't the ink spoiling, it's a pen sitting inked and unused for weeks: that's what causes clogs, not the ink's age.

Frequently asked questions

What color family is Roses in the Louvre?
Roses in the Louvre falls into Inktend's reds & pinks family based on its typical swatch color.
Does Roses in the Louvre have sheen?
Roses in the Louvre is not typically noted for sheen. If you want that effect, browse similarly colored inks tagged with sheen in the ink library.
How should I store a bottle of Roses in the Louvre?
Years, easily, as long as it stays capped and out of direct sunlight. The thing that actually shortens an ink's usable life is sitting unused inside a pen, not sitting on a shelf.
What paper works best with Roses in the Louvre?
It behaves predictably on most fountain-pen-friendly paper. Stick to something reasonably absorbent-resistant, since cheap copier paper dulls saturation and can feather.

Similar shades By colour distance

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Ken's Night - The Days of Wine and Roses
Ken Takeda

Color shown is a close digital approximation of a typical swatch, not a calibrated color match.